My aims for the project were to, obviously, fulfill the brief and generally complete something I was proud of. I also planned to improve my editing skills and my filming skills. This is because during my last project, I was ill during editing and so I was not very confident on the variety of skills and effects that could be used. I understood basic editing, but it was the more creative elements in which I felt unsure.
During the project I didn't have much opportunity in improving my filming skills as I was in the majority of shots, however to combat this, we decided as a group that I would film the shots I wasn't in, in order to make it fair and I also feel that I played quite a large role in the setting up of shots, deciding the framing etc.
I do feel that I definitely improved my editing skills by a vast amount. I now feel much more capable and understand how to create overlay titles, the range of transitions available and also to be able to fix the colour/saturation/contrast etc of the shot itself.
Also on previous projects I have used Paint Shop Pro to create covers etc, and this time we decided to use Adobe Premier, which was quite difficult, but I enjoy learning how to use a new program.
Previous to this project I knew extremely little about thriller as a genre, because they were not the type of film that I tended to watch. So I started from scratch in terms of knowledge, but now I have an enjoyment of the genre and also appreciate the very intricate structure of the films to keep the audience in suspense and continually surprise them.
As a group I feel we were extremely well matched, with no arguements and any disagreements over editing or the path for which the project should follow was decided in a calm manner with everybody compromising for the sake of letting the project run smoothly.
The only criticism I have is that our timetables were different, so it was quite hard to work as a group due to the timing of our free time, however we managed regular meetings and also discussed progress and ideas on the blog and via e-mail in order to keep communication at a paramount level.
Overall I feel as though I have improved vastly in my technical ability and I also have a much greater understanding of programs which were unknown to me before. I've learnt to compromise a lot more and I think I helped to encourage the shyer members to voice their opinions too. I would have to say the project has been a success.
Wednesday, 30 January 2008
Technical Breakdown of Retribution
Below is a technical breakdown of the shots in Retribution.
0-35 seconds
Shot 1: 4 seconds - Black screen with 'In Association with Red Ink Productions' fading up and down again
Shot 2: 4 seconds - Low angle at side of road facing down road, car coming towards camera with lights on, car passing camera as title fades up and out over screen 'Directed by Angela Yaz'
Shot 3: 1 second - Slightly titled to the right angle, low level, shot of girls feet walking into and out of shot along pavement
Shot 4: 2 seconds - Slightly high angle, titled to right, still low level, shot of girls feet walking into and our of shot further along pavement
Shot 5: 2 seconds -girl steps into frame from behind camera and walks straight away from camera (steps over camera into shot), low level camera, only feet and some of legs are visible
Shot 6: 3 seconds - very low angle, low level shot, slight tilt to right, girl staggering (knee up in frame) into and out of shot
Shot 7: 8 seconds - slightly low level camera, across the road from the girl, camera moves down and behind a car - girl is staggering along road and up to her front door. Extreme long shot. Title fades up and out 'Produced by Nicholas Chin'
Shot 8: 3 seconds - insert shot of bottle being put down. Close-up, slightly high angle. Only bottom part of bottle and floor visible.
Shot 9: 8 seconds - low level shot of front door opening, medium close-up shot. Door opens and girls feet come into shot, title of 'Casting by Abigail Thompson' fades over shot and out again, keys are dropped into shot, hand comes down to pick them up, feet step over camera out of shot, lingering shot on front door still open.
36-60 seconds
Shot 10: 8 seconds - mid-level shot, medium shot, girl walks into hallway and shot from left of screen, staggers towards stairs, puts her keys on the shelf, staggers up stairs, flash of black across screen.
Shot 11: 2 seconds - Black screen, title comes onto shot 'Starring Stephanie Miller and Joshua Dean' fades into and out of shot.
Shot 12: 14 seconds - Close-up on glass, on level with desk. Pans from right to left along height of desk past alkaseltzers. Pans right to left along bed, girl is moving in bed. Tracks in towards bed as girl picks up phone. Cannot see her face.
61-91 seconds
Shot 13: 10 seconds - Close up of bedside table with ashtray and cigarettes. Can see girl's elbow in shot and bottom section of pillow and a bit of mattress. Girl is talking on phone then puts phone back on desk and fumbles for cigarettes. Pulls cigarettes out of shot.
Shot 14: 5 seconds - medium shot of girl sitting up in bed face on, takes cigarette out of box, places it in her mouth and begins to light it. Low angle.
Shot 15: 15 seconds -High angle shot, slightly behind the girl to her right. Lights cigarette, takes a drag, lays back on pillows, takes another drag. Medium shot.
92-120 seconds
Shot 16: 1 second - Shot of clock, ashtray and phone on bedside table. Close-up.
Shot 17: 2 seconds - Medium-long shot of girl pulling back covers and getting out of bed. From her shoulders/chest down. Can see to the bottom of mattress and a little bit below. Can see the bedside table. She has the cigarette in her hand.
Shot 18: 2 seconds - Low level shot of floor and bottom of bedside table. Girls feet come down into shot. Close-up shot.
Shot 19: 2 seconds - Close-up of bedside table with ashtray, phone and clock, girl's hand coming into shot and placing cigarette in ashtray before pulling it away out of shot.
Shot 20: 4 seconds - Medium shot of girl sitting on edge of bed, pulling hand away from bedside table. She gets up out of bed and walks to the left of shot and out.
Shot 21: 2 seconds - Close up of hand coming into shot on banisters and moving up banisters. Low angle. Banisters to left of screen.
Shot 22: 1second - Low level shot of floor of bedroom. Girls walks into shot from right and leaves to left. Only her feet visible, close-up.
Shot 23: 6 seconds - Close-up of table with glass and alkaseltzers on, alkaseltzers to right of screen. Girl reaches for alkaseltzers (hand comes in from left of screen.) pulls one out of packet, drops it into the glass and takes glass out of shot as she walks away.
Shot 24: 5 seconds - Long shot of girl in her bedroom through bedroom door. Girl has glass in her hand and is walking towards the camera. She walks out of the door and turns on the light switch, she then turns the corner to the left of shot and camera pans slightly right to left to follow her.
Shot 25: 1 second - Close-up of a foot on banisters. Goes into and out of shot. From left to right.
Shot 26: 2 seconds - Shot through banisters of hallway, girl walking from right of screen. Low level shot using banisters for frame within frame, pan right to left.
121-148 seconds
Shot 27: 1 second - Close-up of shelf, to the right of the girl, she puts her glass down onto shelf as she walks past. See minimal of girl.
Shot 28: 2 seconds -Shot from within bathroom, girl opens door and walks into the bathroom towards camera (which is directly opposite door). Girl then walks to the right of screen out of shot. Long shot which turns into medium. Do not see girls head or feet.
Shot 29: 1 seconds -Close-up of a foot on banisters. Goes into and out of shot. From left to right.
Shot 30: 7 seconds - Close-up of girl looking in mirror from point of view of mirror. She rubs her face and drops hand to turn on tap (out of shot)
Shot 31: 4 seconds- Side view of sink and taps medium-closeup, hand reaches in from left of screen to turn on tap. Girl collects water in her hands and raises it up to her face (out of shot).
Shot 32: 6 seconds - Low level medium-closeup from bathroom floor of doorway (to left of frame) and girl at sink (her feet at to the right of frame). The intruder then walks through the doorway towards camera. Then turns to his left to face the girl who is washing her face at the sink still. He stops and screen fades to grey then black.
Shot 33: 6 seconds - Black screen, the title 'Retribution' fades up onto screen
0-35 seconds
Shot 1: 4 seconds - Black screen with 'In Association with Red Ink Productions' fading up and down again
Shot 2: 4 seconds - Low angle at side of road facing down road, car coming towards camera with lights on, car passing camera as title fades up and out over screen 'Directed by Angela Yaz'
Shot 3: 1 second - Slightly titled to the right angle, low level, shot of girls feet walking into and out of shot along pavement
Shot 4: 2 seconds - Slightly high angle, titled to right, still low level, shot of girls feet walking into and our of shot further along pavement
Shot 5: 2 seconds -girl steps into frame from behind camera and walks straight away from camera (steps over camera into shot), low level camera, only feet and some of legs are visible
Shot 6: 3 seconds - very low angle, low level shot, slight tilt to right, girl staggering (knee up in frame) into and out of shot
Shot 7: 8 seconds - slightly low level camera, across the road from the girl, camera moves down and behind a car - girl is staggering along road and up to her front door. Extreme long shot. Title fades up and out 'Produced by Nicholas Chin'
Shot 8: 3 seconds - insert shot of bottle being put down. Close-up, slightly high angle. Only bottom part of bottle and floor visible.
Shot 9: 8 seconds - low level shot of front door opening, medium close-up shot. Door opens and girls feet come into shot, title of 'Casting by Abigail Thompson' fades over shot and out again, keys are dropped into shot, hand comes down to pick them up, feet step over camera out of shot, lingering shot on front door still open.
36-60 seconds
Shot 10: 8 seconds - mid-level shot, medium shot, girl walks into hallway and shot from left of screen, staggers towards stairs, puts her keys on the shelf, staggers up stairs, flash of black across screen.
Shot 11: 2 seconds - Black screen, title comes onto shot 'Starring Stephanie Miller and Joshua Dean' fades into and out of shot.
Shot 12: 14 seconds - Close-up on glass, on level with desk. Pans from right to left along height of desk past alkaseltzers. Pans right to left along bed, girl is moving in bed. Tracks in towards bed as girl picks up phone. Cannot see her face.
61-91 seconds
Shot 13: 10 seconds - Close up of bedside table with ashtray and cigarettes. Can see girl's elbow in shot and bottom section of pillow and a bit of mattress. Girl is talking on phone then puts phone back on desk and fumbles for cigarettes. Pulls cigarettes out of shot.
Shot 14: 5 seconds - medium shot of girl sitting up in bed face on, takes cigarette out of box, places it in her mouth and begins to light it. Low angle.
Shot 15: 15 seconds -High angle shot, slightly behind the girl to her right. Lights cigarette, takes a drag, lays back on pillows, takes another drag. Medium shot.
92-120 seconds
Shot 16: 1 second - Shot of clock, ashtray and phone on bedside table. Close-up.
Shot 17: 2 seconds - Medium-long shot of girl pulling back covers and getting out of bed. From her shoulders/chest down. Can see to the bottom of mattress and a little bit below. Can see the bedside table. She has the cigarette in her hand.
Shot 18: 2 seconds - Low level shot of floor and bottom of bedside table. Girls feet come down into shot. Close-up shot.
Shot 19: 2 seconds - Close-up of bedside table with ashtray, phone and clock, girl's hand coming into shot and placing cigarette in ashtray before pulling it away out of shot.
Shot 20: 4 seconds - Medium shot of girl sitting on edge of bed, pulling hand away from bedside table. She gets up out of bed and walks to the left of shot and out.
Shot 21: 2 seconds - Close up of hand coming into shot on banisters and moving up banisters. Low angle. Banisters to left of screen.
Shot 22: 1second - Low level shot of floor of bedroom. Girls walks into shot from right and leaves to left. Only her feet visible, close-up.
Shot 23: 6 seconds - Close-up of table with glass and alkaseltzers on, alkaseltzers to right of screen. Girl reaches for alkaseltzers (hand comes in from left of screen.) pulls one out of packet, drops it into the glass and takes glass out of shot as she walks away.
Shot 24: 5 seconds - Long shot of girl in her bedroom through bedroom door. Girl has glass in her hand and is walking towards the camera. She walks out of the door and turns on the light switch, she then turns the corner to the left of shot and camera pans slightly right to left to follow her.
Shot 25: 1 second - Close-up of a foot on banisters. Goes into and out of shot. From left to right.
Shot 26: 2 seconds - Shot through banisters of hallway, girl walking from right of screen. Low level shot using banisters for frame within frame, pan right to left.
121-148 seconds
Shot 27: 1 second - Close-up of shelf, to the right of the girl, she puts her glass down onto shelf as she walks past. See minimal of girl.
Shot 28: 2 seconds -Shot from within bathroom, girl opens door and walks into the bathroom towards camera (which is directly opposite door). Girl then walks to the right of screen out of shot. Long shot which turns into medium. Do not see girls head or feet.
Shot 29: 1 seconds -Close-up of a foot on banisters. Goes into and out of shot. From left to right.
Shot 30: 7 seconds - Close-up of girl looking in mirror from point of view of mirror. She rubs her face and drops hand to turn on tap (out of shot)
Shot 31: 4 seconds- Side view of sink and taps medium-closeup, hand reaches in from left of screen to turn on tap. Girl collects water in her hands and raises it up to her face (out of shot).
Shot 32: 6 seconds - Low level medium-closeup from bathroom floor of doorway (to left of frame) and girl at sink (her feet at to the right of frame). The intruder then walks through the doorway towards camera. Then turns to his left to face the girl who is washing her face at the sink still. He stops and screen fades to grey then black.
Shot 33: 6 seconds - Black screen, the title 'Retribution' fades up onto screen
Friday, 25 January 2008
Personal Audience Feedback
Outside of the groups organised feedback session, I decided to ask a few people some questions to determine whether or not they understood the plot of the opening and whether they enjoyed it. The feedback is also useful to determine whether or not as a group we fulfilled our brief. Below is a summary of some of the feedback:
I asked what genre they felt the opening was and everybody asked said that they felt the genre is either Thriller or Mystery. I also asked them what led them to this decision and some of the responses were- 'due to the cliffhanger' and 'dark, sinister feel'.
I asked them what they thought the suitable target audience would be and was given an age range of 15-25, with the audience being of both genders, which is what we were aiming for.
Next I asked whether they thought the film was made by a commercial production company or an independent production company. Some of the responses I got were - 'commercial due to the themes being professionally carried out' and 'it seems quite a simple set so is low budget and independent'.
I then asked whether they could identify the different characters and the relationships between them. This is quite a crucial question because our characters were quite complex, along with the storyline. So if the audience didn't understand then our opening would not be successful. A lot of people believed the man to be stalking the girl, which is true and everyone identified both characters. However the role of the female was quite varied in their answers. Some believed her to be unknown to him, and some for them to know each other in some way.
Everyone successfully managed to outline the sequences events which is good as it means it was clearly shown through the shots.
The themes that the sequence contained were also identified correctly with stalking, revenge and murder being highlighted. Some also believed there to be themes of drugs, which may be due to the girls seemingly party lifestyle.
They were asked what they thought worked well within the sequence and everyone seemed to think different things worked well. Here are some of the responses -'there was a lot of variety in the camera work which was effectively carried out' , 'the music fits the action perfectly' and 'the flash of the man when he enters the house works to create tension'.
I then asked them what they thought didn't work well within the sequence and people again seemed to have a variety of answers. Here are some of the responses - 'you don't get too much of a feel for the characters and the story' (this may be due to the lack of background information on them) , 'the cliff-hanger was a bit of an anti-climax' (I agree with this, however it does then create a sense of tension and make the audience want to watch on) and 'the lighting is quite inconsistent making it dark'.
I finally asked them to rate the opening sequence out of ten and whether they would want to watch the rest of the film. The average rating was eight out of ten and the vast majority wanted to watch the rest of the film.
Copy of one of the questionnaires:
I asked what genre they felt the opening was and everybody asked said that they felt the genre is either Thriller or Mystery. I also asked them what led them to this decision and some of the responses were- 'due to the cliffhanger' and 'dark, sinister feel'.
I asked them what they thought the suitable target audience would be and was given an age range of 15-25, with the audience being of both genders, which is what we were aiming for.
Next I asked whether they thought the film was made by a commercial production company or an independent production company. Some of the responses I got were - 'commercial due to the themes being professionally carried out' and 'it seems quite a simple set so is low budget and independent'.
I then asked whether they could identify the different characters and the relationships between them. This is quite a crucial question because our characters were quite complex, along with the storyline. So if the audience didn't understand then our opening would not be successful. A lot of people believed the man to be stalking the girl, which is true and everyone identified both characters. However the role of the female was quite varied in their answers. Some believed her to be unknown to him, and some for them to know each other in some way.
Everyone successfully managed to outline the sequences events which is good as it means it was clearly shown through the shots.
The themes that the sequence contained were also identified correctly with stalking, revenge and murder being highlighted. Some also believed there to be themes of drugs, which may be due to the girls seemingly party lifestyle.
They were asked what they thought worked well within the sequence and everyone seemed to think different things worked well. Here are some of the responses -'there was a lot of variety in the camera work which was effectively carried out' , 'the music fits the action perfectly' and 'the flash of the man when he enters the house works to create tension'.
I then asked them what they thought didn't work well within the sequence and people again seemed to have a variety of answers. Here are some of the responses - 'you don't get too much of a feel for the characters and the story' (this may be due to the lack of background information on them) , 'the cliff-hanger was a bit of an anti-climax' (I agree with this, however it does then create a sense of tension and make the audience want to watch on) and 'the lighting is quite inconsistent making it dark'.
I finally asked them to rate the opening sequence out of ten and whether they would want to watch the rest of the film. The average rating was eight out of ten and the vast majority wanted to watch the rest of the film.
Copy of one of the questionnaires:
Wednesday, 23 January 2008
The Usual Suspects vs Retribution
I feel that we gained a lot of influences from The Usual Suspects which may be why I also feel that there are a lot of similarities in the plot and also the opening.
Below is the opening to The Usual Suspects:
Below is the opening to Retribution:
I feel that there are a number of similarities between Retribution and The Usual Suspects. Firstly both contain an aspect of mystery and slight confusion. In The Usual Suspects you do not know who the character who shoots the man on the boat is due to his face being obscured - this is similar to not knowing the man who enters the girls house in Retribution for the same reason. In both films you also follow the 'victim' of the scene and then the killer/villain enters the scene midway through - allowing you have time to build a certain allegiance with the character that you have been following.
Retribution though, has more establishing shots than The Usual Suspects, in my opinion, during the opening shots. Retribution has quite long shots with the car driving towards the screen, the long angle shots of the house and street also set the scene of suburbia. In The Usual Suspects you do not get this, you are straight into the middle of the scene with tight shots of the character and then it gradually moves out into slightly longer shots to allow the audience to see things which will be important later in the film. The Usual Suspects also isn't set in suburbia, the opening begins on a boat.
Retribution and The Usual Suspects share the fact that both delay any major action until later in the opening. Retribution has Zak entering the bathroom quite a while after Evie and the idea of Zak being in the house are introduced, however no physical contact (such as an attack) is shown which is different in The Usual Suspects in that the character which we follow (the man with the matches) gets shot in the opening. Yet The Usual Suspects follows this same idea of delaying the action until the end in order to allow the audience to get accustomed to the set up of the scene and for them to form even a basic allegiance with a character.
Plot wise I feel that the films are relatively similar in that they both contain 'gangster' and police aspects. Both also contain a fear factor/drive - in The Usual Suspects they are frightened of Keyser Soze who they are working for and in Retribution, Trent is driven to following Zak's demands due to his fear of losing his daughter. Both stories contain a twist at the end as well. Both beginnings don't really give much of the plot away either, it is only later on in the film that their relevance will become apparent so I feel that both have good audience engaging qualities which will keep the audience interested and wanting to gain answers to the questions which have been raised from the openings.
Applying the theories to Retribution
For this project we studied the four main theories relating to thrillers, so I decided to apply them to Retribution to see whether or not it contains some of the generic conventions. I am applying these theories to only the opening itself because we haven't made the rest of the film.
Claude Levi-Strauss - Binary Opposites
male vs female - you can tell the intruder is male
freedom vs entrapment - she cannot get out of the house without passing him
prisoner vs captor - he has her trapped within the house
justice v injustice - Zak getting justice against Detective Trent's injustice
Roland Barthes - Action & Enigma Codes
Enigma Codes:
1st disruption - Leaves the front door open and the intruder gets in
2nd disruption - The woman is trapped in the bathroom
The final sections of this narrative structure do not work because we haven't made the rest of the opening and usually this theory is applied to the entire film. However the first few do work because they generally happen at the beginning of the film. The sections of the theory which don't apply are the big disruption, thwarted attempts at resolution, a resolution and a new equilibrium. However if we had continued to make our film according to our synopsis, then the other sections would be applicable. The big disruption would be Zak kidnapping Evie and holding her hostage whilst setting a trail for Detective Trent to follow, the thwarted attempts at a resolution would be Detective Trent attempting to find her, the resolution would come in the form of whether or not Evie lived and Detective Trent possibly being framed for her supposed murder and finally the new equilibrium would be Zak's new situation concerning his revenge and whether he achieved it or not.
Vladimir Propp - Folk Tales & Character Types
1. The villain/antagonist - Detective Trent (for his actions which made Zak end up in jail)
2. The hero/protagonist - Zak (we follow his story and want him to achieve his revenge)
3. The donor - Evie (in that she gives Zak the means to achieve his revenge)
4. The helper - there isn't really a helper in our plot, but it could be Evie due to finding our her father killed her mother
5. The princess - In the sense of him getting his revenge it would be Detective Trent, but due to his relationship with Evie then it could be her if she wasn't killed
6. The father figure -Again there isn't really a father figure, although in the rest of the film Evie could hate her father when she finds out her father killed her mother
7. The dispatcher - Detective Trent
8. The false hero - we don't really have a false hero
I also studied a fifth theory, by Syd Field. His theory is that thrillers contain a three act plot structure. So I have chosen to apply this theory as well, although it is slightly more difficult to apply as the synopsis didn't go into immense detail of the ending etc.:
Act One - Setup
Act Three - Resolution
Claude Levi-Strauss - Binary Opposites
male vs female - you can tell the intruder is male
freedom vs entrapment - she cannot get out of the house without passing him
prisoner vs captor - he has her trapped within the house
justice v injustice - Zak getting justice against Detective Trent's injustice
Roland Barthes - Action & Enigma Codes
Enigma Codes:
- You don't see the intruders face - Who is he?
- There is no interaction between them and he doesn't make himself known, yet he was waiting for her - Does he know her? What is their relationship?
- The last shot being just of their feet in the bathroom - What happens next? What does he do to her?
- The phone call whilst she is in bed and she gets up - Who was on the phone? Is she going out somewhere?
- The camera moving behind the car from the intruders point of view - Has he been planning this? Is it spontaneous? Why is he waiting for her specifically?
Action codes:
- She gets a phone call - leads to her getting out of bed
- Goes to bathroom - leads to the intruder trapping her inside the bathroom
- Drops door keys - leads to her leaving the door open
- Leaves the front door open - leads to the intruder getting in
Tzvetan Todorov - Narrative Structure
Equilibrium - Woman walking home1st disruption - Leaves the front door open and the intruder gets in
2nd disruption - The woman is trapped in the bathroom
The final sections of this narrative structure do not work because we haven't made the rest of the opening and usually this theory is applied to the entire film. However the first few do work because they generally happen at the beginning of the film. The sections of the theory which don't apply are the big disruption, thwarted attempts at resolution, a resolution and a new equilibrium. However if we had continued to make our film according to our synopsis, then the other sections would be applicable. The big disruption would be Zak kidnapping Evie and holding her hostage whilst setting a trail for Detective Trent to follow, the thwarted attempts at a resolution would be Detective Trent attempting to find her, the resolution would come in the form of whether or not Evie lived and Detective Trent possibly being framed for her supposed murder and finally the new equilibrium would be Zak's new situation concerning his revenge and whether he achieved it or not.
Vladimir Propp - Folk Tales & Character Types
1. The villain/antagonist - Detective Trent (for his actions which made Zak end up in jail)
2. The hero/protagonist - Zak (we follow his story and want him to achieve his revenge)
3. The donor - Evie (in that she gives Zak the means to achieve his revenge)
4. The helper - there isn't really a helper in our plot, but it could be Evie due to finding our her father killed her mother
5. The princess - In the sense of him getting his revenge it would be Detective Trent, but due to his relationship with Evie then it could be her if she wasn't killed
6. The father figure -Again there isn't really a father figure, although in the rest of the film Evie could hate her father when she finds out her father killed her mother
7. The dispatcher - Detective Trent
8. The false hero - we don't really have a false hero
I also studied a fifth theory, by Syd Field. His theory is that thrillers contain a three act plot structure. So I have chosen to apply this theory as well, although it is slightly more difficult to apply as the synopsis didn't go into immense detail of the ending etc.:
Act One - Setup
- Two of three main characters identified in opening sequence: Evie and Zak
- Detective Trent would then be introduced along with the story behind the kidnapping
- The audience are given reasons to support Zak in that he was wrongly framed, yet also don't agree with him kidnapping Evie - there are split loyalties
- The problem facing the protagonist is identified: Zak is having to keep ahead of Trent, who is a detective and so has far more resources available to him
(Plot point one: Evie discovers that her father killed her mother)
Act Two - Confrontation- Zak is beginning to face more problems as he begins to fall for Evie and she has to die for his original plan to work
- Evie also wants to die to punish her father
- Detective Trent keeps following the clues, but quicker than Zak anticipated.
(Plot point two- Zak realises that he cannot kill Evie, so he begins to conduct a plan to frame Detective Trent as planned, but without killing Evie or having a body)
Act Three - Resolution
- Zak carries out his plan and frames Trent
- Trent goes down
- However Evie may or may not be dead, which has the possibility to tarnish his revenge
Retribution: Misery & Other Aspects Of Influences
I've noticed that Retribution doesn't really compare to or mirror any opening sequences that I've seen, in my opinion. Retribution definitely shares qualities with films and certain scenes throughout those films, however I do not think that we took much inspiration from any actual opening sequences.
Originally we began with an inspiration from the Misery opening sequence with the close up of the glass and alkaseltzers in the morning scene and then the smoking section mirroring Misery's opening sequence with a cigarette on the table and the champagne glass. But as this isn't directly at the beginning of the opening I feel as if we didn't really draw much from other films openings.
Also we didn't just mirror one idea or draw influence from just one film. We all had different ideas and blended a few together that worked (all of which were from different films).
I think this method of doing things was good because it doesn't mirror any particular film too closely, which could have the potential of looking as if we just directly lifted our idea from that film. I like how our film can have different influences, rather than just one, because I think it shows the variation within the group that we all had different tastes and inspirations when given our initial idea. This theme continued into our production because people would suggest things that others hadn't necessarily thought of, which kept the creative process in motion and led to a varied opening in terms of interesting shots to look at.
Originally we began with an inspiration from the Misery opening sequence with the close up of the glass and alkaseltzers in the morning scene and then the smoking section mirroring Misery's opening sequence with a cigarette on the table and the champagne glass. But as this isn't directly at the beginning of the opening I feel as if we didn't really draw much from other films openings.
Also we didn't just mirror one idea or draw influence from just one film. We all had different ideas and blended a few together that worked (all of which were from different films).
I think this method of doing things was good because it doesn't mirror any particular film too closely, which could have the potential of looking as if we just directly lifted our idea from that film. I like how our film can have different influences, rather than just one, because I think it shows the variation within the group that we all had different tastes and inspirations when given our initial idea. This theme continued into our production because people would suggest things that others hadn't necessarily thought of, which kept the creative process in motion and led to a varied opening in terms of interesting shots to look at.
Finished Opening Sequence for Retribution
Below is the finished opening sequence for our thriller - Retribution. Any feedback would be appreciated.
Overall I really like our opening sequence, however I think that it is unclear in the girls significance to the rest of the film. Only when you have read the blurb do you understand who she is and what her purpose is. Of course, if this was a real film, the sense of mystery surrounding the girl would be appealing to the audience and make them want to find out who she is, what the man's motives are and of course what actually happens to her. I think some of our shots could have been better framed, particularly the shot going from the glass on the table to the bedside table and some of the outside shots. But generally I'm proud of what we have achieved.
Overall I really like our opening sequence, however I think that it is unclear in the girls significance to the rest of the film. Only when you have read the blurb do you understand who she is and what her purpose is. Of course, if this was a real film, the sense of mystery surrounding the girl would be appealing to the audience and make them want to find out who she is, what the man's motives are and of course what actually happens to her. I think some of our shots could have been better framed, particularly the shot going from the glass on the table to the bedside table and some of the outside shots. But generally I'm proud of what we have achieved.
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