My aims for the project were to, obviously, fulfill the brief and generally complete something I was proud of. I also planned to improve my editing skills and my filming skills. This is because during my last project, I was ill during editing and so I was not very confident on the variety of skills and effects that could be used. I understood basic editing, but it was the more creative elements in which I felt unsure.
During the project I didn't have much opportunity in improving my filming skills as I was in the majority of shots, however to combat this, we decided as a group that I would film the shots I wasn't in, in order to make it fair and I also feel that I played quite a large role in the setting up of shots, deciding the framing etc.
I do feel that I definitely improved my editing skills by a vast amount. I now feel much more capable and understand how to create overlay titles, the range of transitions available and also to be able to fix the colour/saturation/contrast etc of the shot itself.
Also on previous projects I have used Paint Shop Pro to create covers etc, and this time we decided to use Adobe Premier, which was quite difficult, but I enjoy learning how to use a new program.
Previous to this project I knew extremely little about thriller as a genre, because they were not the type of film that I tended to watch. So I started from scratch in terms of knowledge, but now I have an enjoyment of the genre and also appreciate the very intricate structure of the films to keep the audience in suspense and continually surprise them.
As a group I feel we were extremely well matched, with no arguements and any disagreements over editing or the path for which the project should follow was decided in a calm manner with everybody compromising for the sake of letting the project run smoothly.
The only criticism I have is that our timetables were different, so it was quite hard to work as a group due to the timing of our free time, however we managed regular meetings and also discussed progress and ideas on the blog and via e-mail in order to keep communication at a paramount level.
Overall I feel as though I have improved vastly in my technical ability and I also have a much greater understanding of programs which were unknown to me before. I've learnt to compromise a lot more and I think I helped to encourage the shyer members to voice their opinions too. I would have to say the project has been a success.
Wednesday, 30 January 2008
Technical Breakdown of Retribution
Below is a technical breakdown of the shots in Retribution.
0-35 seconds
Shot 1: 4 seconds - Black screen with 'In Association with Red Ink Productions' fading up and down again
Shot 2: 4 seconds - Low angle at side of road facing down road, car coming towards camera with lights on, car passing camera as title fades up and out over screen 'Directed by Angela Yaz'
Shot 3: 1 second - Slightly titled to the right angle, low level, shot of girls feet walking into and out of shot along pavement
Shot 4: 2 seconds - Slightly high angle, titled to right, still low level, shot of girls feet walking into and our of shot further along pavement
Shot 5: 2 seconds -girl steps into frame from behind camera and walks straight away from camera (steps over camera into shot), low level camera, only feet and some of legs are visible
Shot 6: 3 seconds - very low angle, low level shot, slight tilt to right, girl staggering (knee up in frame) into and out of shot
Shot 7: 8 seconds - slightly low level camera, across the road from the girl, camera moves down and behind a car - girl is staggering along road and up to her front door. Extreme long shot. Title fades up and out 'Produced by Nicholas Chin'
Shot 8: 3 seconds - insert shot of bottle being put down. Close-up, slightly high angle. Only bottom part of bottle and floor visible.
Shot 9: 8 seconds - low level shot of front door opening, medium close-up shot. Door opens and girls feet come into shot, title of 'Casting by Abigail Thompson' fades over shot and out again, keys are dropped into shot, hand comes down to pick them up, feet step over camera out of shot, lingering shot on front door still open.
36-60 seconds
Shot 10: 8 seconds - mid-level shot, medium shot, girl walks into hallway and shot from left of screen, staggers towards stairs, puts her keys on the shelf, staggers up stairs, flash of black across screen.
Shot 11: 2 seconds - Black screen, title comes onto shot 'Starring Stephanie Miller and Joshua Dean' fades into and out of shot.
Shot 12: 14 seconds - Close-up on glass, on level with desk. Pans from right to left along height of desk past alkaseltzers. Pans right to left along bed, girl is moving in bed. Tracks in towards bed as girl picks up phone. Cannot see her face.
61-91 seconds
Shot 13: 10 seconds - Close up of bedside table with ashtray and cigarettes. Can see girl's elbow in shot and bottom section of pillow and a bit of mattress. Girl is talking on phone then puts phone back on desk and fumbles for cigarettes. Pulls cigarettes out of shot.
Shot 14: 5 seconds - medium shot of girl sitting up in bed face on, takes cigarette out of box, places it in her mouth and begins to light it. Low angle.
Shot 15: 15 seconds -High angle shot, slightly behind the girl to her right. Lights cigarette, takes a drag, lays back on pillows, takes another drag. Medium shot.
92-120 seconds
Shot 16: 1 second - Shot of clock, ashtray and phone on bedside table. Close-up.
Shot 17: 2 seconds - Medium-long shot of girl pulling back covers and getting out of bed. From her shoulders/chest down. Can see to the bottom of mattress and a little bit below. Can see the bedside table. She has the cigarette in her hand.
Shot 18: 2 seconds - Low level shot of floor and bottom of bedside table. Girls feet come down into shot. Close-up shot.
Shot 19: 2 seconds - Close-up of bedside table with ashtray, phone and clock, girl's hand coming into shot and placing cigarette in ashtray before pulling it away out of shot.
Shot 20: 4 seconds - Medium shot of girl sitting on edge of bed, pulling hand away from bedside table. She gets up out of bed and walks to the left of shot and out.
Shot 21: 2 seconds - Close up of hand coming into shot on banisters and moving up banisters. Low angle. Banisters to left of screen.
Shot 22: 1second - Low level shot of floor of bedroom. Girls walks into shot from right and leaves to left. Only her feet visible, close-up.
Shot 23: 6 seconds - Close-up of table with glass and alkaseltzers on, alkaseltzers to right of screen. Girl reaches for alkaseltzers (hand comes in from left of screen.) pulls one out of packet, drops it into the glass and takes glass out of shot as she walks away.
Shot 24: 5 seconds - Long shot of girl in her bedroom through bedroom door. Girl has glass in her hand and is walking towards the camera. She walks out of the door and turns on the light switch, she then turns the corner to the left of shot and camera pans slightly right to left to follow her.
Shot 25: 1 second - Close-up of a foot on banisters. Goes into and out of shot. From left to right.
Shot 26: 2 seconds - Shot through banisters of hallway, girl walking from right of screen. Low level shot using banisters for frame within frame, pan right to left.
121-148 seconds
Shot 27: 1 second - Close-up of shelf, to the right of the girl, she puts her glass down onto shelf as she walks past. See minimal of girl.
Shot 28: 2 seconds -Shot from within bathroom, girl opens door and walks into the bathroom towards camera (which is directly opposite door). Girl then walks to the right of screen out of shot. Long shot which turns into medium. Do not see girls head or feet.
Shot 29: 1 seconds -Close-up of a foot on banisters. Goes into and out of shot. From left to right.
Shot 30: 7 seconds - Close-up of girl looking in mirror from point of view of mirror. She rubs her face and drops hand to turn on tap (out of shot)
Shot 31: 4 seconds- Side view of sink and taps medium-closeup, hand reaches in from left of screen to turn on tap. Girl collects water in her hands and raises it up to her face (out of shot).
Shot 32: 6 seconds - Low level medium-closeup from bathroom floor of doorway (to left of frame) and girl at sink (her feet at to the right of frame). The intruder then walks through the doorway towards camera. Then turns to his left to face the girl who is washing her face at the sink still. He stops and screen fades to grey then black.
Shot 33: 6 seconds - Black screen, the title 'Retribution' fades up onto screen
0-35 seconds
Shot 1: 4 seconds - Black screen with 'In Association with Red Ink Productions' fading up and down again
Shot 2: 4 seconds - Low angle at side of road facing down road, car coming towards camera with lights on, car passing camera as title fades up and out over screen 'Directed by Angela Yaz'
Shot 3: 1 second - Slightly titled to the right angle, low level, shot of girls feet walking into and out of shot along pavement
Shot 4: 2 seconds - Slightly high angle, titled to right, still low level, shot of girls feet walking into and our of shot further along pavement
Shot 5: 2 seconds -girl steps into frame from behind camera and walks straight away from camera (steps over camera into shot), low level camera, only feet and some of legs are visible
Shot 6: 3 seconds - very low angle, low level shot, slight tilt to right, girl staggering (knee up in frame) into and out of shot
Shot 7: 8 seconds - slightly low level camera, across the road from the girl, camera moves down and behind a car - girl is staggering along road and up to her front door. Extreme long shot. Title fades up and out 'Produced by Nicholas Chin'
Shot 8: 3 seconds - insert shot of bottle being put down. Close-up, slightly high angle. Only bottom part of bottle and floor visible.
Shot 9: 8 seconds - low level shot of front door opening, medium close-up shot. Door opens and girls feet come into shot, title of 'Casting by Abigail Thompson' fades over shot and out again, keys are dropped into shot, hand comes down to pick them up, feet step over camera out of shot, lingering shot on front door still open.
36-60 seconds
Shot 10: 8 seconds - mid-level shot, medium shot, girl walks into hallway and shot from left of screen, staggers towards stairs, puts her keys on the shelf, staggers up stairs, flash of black across screen.
Shot 11: 2 seconds - Black screen, title comes onto shot 'Starring Stephanie Miller and Joshua Dean' fades into and out of shot.
Shot 12: 14 seconds - Close-up on glass, on level with desk. Pans from right to left along height of desk past alkaseltzers. Pans right to left along bed, girl is moving in bed. Tracks in towards bed as girl picks up phone. Cannot see her face.
61-91 seconds
Shot 13: 10 seconds - Close up of bedside table with ashtray and cigarettes. Can see girl's elbow in shot and bottom section of pillow and a bit of mattress. Girl is talking on phone then puts phone back on desk and fumbles for cigarettes. Pulls cigarettes out of shot.
Shot 14: 5 seconds - medium shot of girl sitting up in bed face on, takes cigarette out of box, places it in her mouth and begins to light it. Low angle.
Shot 15: 15 seconds -High angle shot, slightly behind the girl to her right. Lights cigarette, takes a drag, lays back on pillows, takes another drag. Medium shot.
92-120 seconds
Shot 16: 1 second - Shot of clock, ashtray and phone on bedside table. Close-up.
Shot 17: 2 seconds - Medium-long shot of girl pulling back covers and getting out of bed. From her shoulders/chest down. Can see to the bottom of mattress and a little bit below. Can see the bedside table. She has the cigarette in her hand.
Shot 18: 2 seconds - Low level shot of floor and bottom of bedside table. Girls feet come down into shot. Close-up shot.
Shot 19: 2 seconds - Close-up of bedside table with ashtray, phone and clock, girl's hand coming into shot and placing cigarette in ashtray before pulling it away out of shot.
Shot 20: 4 seconds - Medium shot of girl sitting on edge of bed, pulling hand away from bedside table. She gets up out of bed and walks to the left of shot and out.
Shot 21: 2 seconds - Close up of hand coming into shot on banisters and moving up banisters. Low angle. Banisters to left of screen.
Shot 22: 1second - Low level shot of floor of bedroom. Girls walks into shot from right and leaves to left. Only her feet visible, close-up.
Shot 23: 6 seconds - Close-up of table with glass and alkaseltzers on, alkaseltzers to right of screen. Girl reaches for alkaseltzers (hand comes in from left of screen.) pulls one out of packet, drops it into the glass and takes glass out of shot as she walks away.
Shot 24: 5 seconds - Long shot of girl in her bedroom through bedroom door. Girl has glass in her hand and is walking towards the camera. She walks out of the door and turns on the light switch, she then turns the corner to the left of shot and camera pans slightly right to left to follow her.
Shot 25: 1 second - Close-up of a foot on banisters. Goes into and out of shot. From left to right.
Shot 26: 2 seconds - Shot through banisters of hallway, girl walking from right of screen. Low level shot using banisters for frame within frame, pan right to left.
121-148 seconds
Shot 27: 1 second - Close-up of shelf, to the right of the girl, she puts her glass down onto shelf as she walks past. See minimal of girl.
Shot 28: 2 seconds -Shot from within bathroom, girl opens door and walks into the bathroom towards camera (which is directly opposite door). Girl then walks to the right of screen out of shot. Long shot which turns into medium. Do not see girls head or feet.
Shot 29: 1 seconds -Close-up of a foot on banisters. Goes into and out of shot. From left to right.
Shot 30: 7 seconds - Close-up of girl looking in mirror from point of view of mirror. She rubs her face and drops hand to turn on tap (out of shot)
Shot 31: 4 seconds- Side view of sink and taps medium-closeup, hand reaches in from left of screen to turn on tap. Girl collects water in her hands and raises it up to her face (out of shot).
Shot 32: 6 seconds - Low level medium-closeup from bathroom floor of doorway (to left of frame) and girl at sink (her feet at to the right of frame). The intruder then walks through the doorway towards camera. Then turns to his left to face the girl who is washing her face at the sink still. He stops and screen fades to grey then black.
Shot 33: 6 seconds - Black screen, the title 'Retribution' fades up onto screen
Friday, 25 January 2008
Personal Audience Feedback
Outside of the groups organised feedback session, I decided to ask a few people some questions to determine whether or not they understood the plot of the opening and whether they enjoyed it. The feedback is also useful to determine whether or not as a group we fulfilled our brief. Below is a summary of some of the feedback:
I asked what genre they felt the opening was and everybody asked said that they felt the genre is either Thriller or Mystery. I also asked them what led them to this decision and some of the responses were- 'due to the cliffhanger' and 'dark, sinister feel'.
I asked them what they thought the suitable target audience would be and was given an age range of 15-25, with the audience being of both genders, which is what we were aiming for.
Next I asked whether they thought the film was made by a commercial production company or an independent production company. Some of the responses I got were - 'commercial due to the themes being professionally carried out' and 'it seems quite a simple set so is low budget and independent'.
I then asked whether they could identify the different characters and the relationships between them. This is quite a crucial question because our characters were quite complex, along with the storyline. So if the audience didn't understand then our opening would not be successful. A lot of people believed the man to be stalking the girl, which is true and everyone identified both characters. However the role of the female was quite varied in their answers. Some believed her to be unknown to him, and some for them to know each other in some way.
Everyone successfully managed to outline the sequences events which is good as it means it was clearly shown through the shots.
The themes that the sequence contained were also identified correctly with stalking, revenge and murder being highlighted. Some also believed there to be themes of drugs, which may be due to the girls seemingly party lifestyle.
They were asked what they thought worked well within the sequence and everyone seemed to think different things worked well. Here are some of the responses -'there was a lot of variety in the camera work which was effectively carried out' , 'the music fits the action perfectly' and 'the flash of the man when he enters the house works to create tension'.
I then asked them what they thought didn't work well within the sequence and people again seemed to have a variety of answers. Here are some of the responses - 'you don't get too much of a feel for the characters and the story' (this may be due to the lack of background information on them) , 'the cliff-hanger was a bit of an anti-climax' (I agree with this, however it does then create a sense of tension and make the audience want to watch on) and 'the lighting is quite inconsistent making it dark'.
I finally asked them to rate the opening sequence out of ten and whether they would want to watch the rest of the film. The average rating was eight out of ten and the vast majority wanted to watch the rest of the film.
Copy of one of the questionnaires:
I asked what genre they felt the opening was and everybody asked said that they felt the genre is either Thriller or Mystery. I also asked them what led them to this decision and some of the responses were- 'due to the cliffhanger' and 'dark, sinister feel'.
I asked them what they thought the suitable target audience would be and was given an age range of 15-25, with the audience being of both genders, which is what we were aiming for.
Next I asked whether they thought the film was made by a commercial production company or an independent production company. Some of the responses I got were - 'commercial due to the themes being professionally carried out' and 'it seems quite a simple set so is low budget and independent'.
I then asked whether they could identify the different characters and the relationships between them. This is quite a crucial question because our characters were quite complex, along with the storyline. So if the audience didn't understand then our opening would not be successful. A lot of people believed the man to be stalking the girl, which is true and everyone identified both characters. However the role of the female was quite varied in their answers. Some believed her to be unknown to him, and some for them to know each other in some way.
Everyone successfully managed to outline the sequences events which is good as it means it was clearly shown through the shots.
The themes that the sequence contained were also identified correctly with stalking, revenge and murder being highlighted. Some also believed there to be themes of drugs, which may be due to the girls seemingly party lifestyle.
They were asked what they thought worked well within the sequence and everyone seemed to think different things worked well. Here are some of the responses -'there was a lot of variety in the camera work which was effectively carried out' , 'the music fits the action perfectly' and 'the flash of the man when he enters the house works to create tension'.
I then asked them what they thought didn't work well within the sequence and people again seemed to have a variety of answers. Here are some of the responses - 'you don't get too much of a feel for the characters and the story' (this may be due to the lack of background information on them) , 'the cliff-hanger was a bit of an anti-climax' (I agree with this, however it does then create a sense of tension and make the audience want to watch on) and 'the lighting is quite inconsistent making it dark'.
I finally asked them to rate the opening sequence out of ten and whether they would want to watch the rest of the film. The average rating was eight out of ten and the vast majority wanted to watch the rest of the film.
Copy of one of the questionnaires:
Wednesday, 23 January 2008
The Usual Suspects vs Retribution
I feel that we gained a lot of influences from The Usual Suspects which may be why I also feel that there are a lot of similarities in the plot and also the opening.
Below is the opening to The Usual Suspects:
Below is the opening to Retribution:
I feel that there are a number of similarities between Retribution and The Usual Suspects. Firstly both contain an aspect of mystery and slight confusion. In The Usual Suspects you do not know who the character who shoots the man on the boat is due to his face being obscured - this is similar to not knowing the man who enters the girls house in Retribution for the same reason. In both films you also follow the 'victim' of the scene and then the killer/villain enters the scene midway through - allowing you have time to build a certain allegiance with the character that you have been following.
Retribution though, has more establishing shots than The Usual Suspects, in my opinion, during the opening shots. Retribution has quite long shots with the car driving towards the screen, the long angle shots of the house and street also set the scene of suburbia. In The Usual Suspects you do not get this, you are straight into the middle of the scene with tight shots of the character and then it gradually moves out into slightly longer shots to allow the audience to see things which will be important later in the film. The Usual Suspects also isn't set in suburbia, the opening begins on a boat.
Retribution and The Usual Suspects share the fact that both delay any major action until later in the opening. Retribution has Zak entering the bathroom quite a while after Evie and the idea of Zak being in the house are introduced, however no physical contact (such as an attack) is shown which is different in The Usual Suspects in that the character which we follow (the man with the matches) gets shot in the opening. Yet The Usual Suspects follows this same idea of delaying the action until the end in order to allow the audience to get accustomed to the set up of the scene and for them to form even a basic allegiance with a character.
Plot wise I feel that the films are relatively similar in that they both contain 'gangster' and police aspects. Both also contain a fear factor/drive - in The Usual Suspects they are frightened of Keyser Soze who they are working for and in Retribution, Trent is driven to following Zak's demands due to his fear of losing his daughter. Both stories contain a twist at the end as well. Both beginnings don't really give much of the plot away either, it is only later on in the film that their relevance will become apparent so I feel that both have good audience engaging qualities which will keep the audience interested and wanting to gain answers to the questions which have been raised from the openings.
Applying the theories to Retribution
For this project we studied the four main theories relating to thrillers, so I decided to apply them to Retribution to see whether or not it contains some of the generic conventions. I am applying these theories to only the opening itself because we haven't made the rest of the film.
Claude Levi-Strauss - Binary Opposites
male vs female - you can tell the intruder is male
freedom vs entrapment - she cannot get out of the house without passing him
prisoner vs captor - he has her trapped within the house
justice v injustice - Zak getting justice against Detective Trent's injustice
Roland Barthes - Action & Enigma Codes
Enigma Codes:
1st disruption - Leaves the front door open and the intruder gets in
2nd disruption - The woman is trapped in the bathroom
The final sections of this narrative structure do not work because we haven't made the rest of the opening and usually this theory is applied to the entire film. However the first few do work because they generally happen at the beginning of the film. The sections of the theory which don't apply are the big disruption, thwarted attempts at resolution, a resolution and a new equilibrium. However if we had continued to make our film according to our synopsis, then the other sections would be applicable. The big disruption would be Zak kidnapping Evie and holding her hostage whilst setting a trail for Detective Trent to follow, the thwarted attempts at a resolution would be Detective Trent attempting to find her, the resolution would come in the form of whether or not Evie lived and Detective Trent possibly being framed for her supposed murder and finally the new equilibrium would be Zak's new situation concerning his revenge and whether he achieved it or not.
Vladimir Propp - Folk Tales & Character Types
1. The villain/antagonist - Detective Trent (for his actions which made Zak end up in jail)
2. The hero/protagonist - Zak (we follow his story and want him to achieve his revenge)
3. The donor - Evie (in that she gives Zak the means to achieve his revenge)
4. The helper - there isn't really a helper in our plot, but it could be Evie due to finding our her father killed her mother
5. The princess - In the sense of him getting his revenge it would be Detective Trent, but due to his relationship with Evie then it could be her if she wasn't killed
6. The father figure -Again there isn't really a father figure, although in the rest of the film Evie could hate her father when she finds out her father killed her mother
7. The dispatcher - Detective Trent
8. The false hero - we don't really have a false hero
I also studied a fifth theory, by Syd Field. His theory is that thrillers contain a three act plot structure. So I have chosen to apply this theory as well, although it is slightly more difficult to apply as the synopsis didn't go into immense detail of the ending etc.:
Act One - Setup
Act Three - Resolution
Claude Levi-Strauss - Binary Opposites
male vs female - you can tell the intruder is male
freedom vs entrapment - she cannot get out of the house without passing him
prisoner vs captor - he has her trapped within the house
justice v injustice - Zak getting justice against Detective Trent's injustice
Roland Barthes - Action & Enigma Codes
Enigma Codes:
- You don't see the intruders face - Who is he?
- There is no interaction between them and he doesn't make himself known, yet he was waiting for her - Does he know her? What is their relationship?
- The last shot being just of their feet in the bathroom - What happens next? What does he do to her?
- The phone call whilst she is in bed and she gets up - Who was on the phone? Is she going out somewhere?
- The camera moving behind the car from the intruders point of view - Has he been planning this? Is it spontaneous? Why is he waiting for her specifically?
Action codes:
- She gets a phone call - leads to her getting out of bed
- Goes to bathroom - leads to the intruder trapping her inside the bathroom
- Drops door keys - leads to her leaving the door open
- Leaves the front door open - leads to the intruder getting in
Tzvetan Todorov - Narrative Structure
Equilibrium - Woman walking home1st disruption - Leaves the front door open and the intruder gets in
2nd disruption - The woman is trapped in the bathroom
The final sections of this narrative structure do not work because we haven't made the rest of the opening and usually this theory is applied to the entire film. However the first few do work because they generally happen at the beginning of the film. The sections of the theory which don't apply are the big disruption, thwarted attempts at resolution, a resolution and a new equilibrium. However if we had continued to make our film according to our synopsis, then the other sections would be applicable. The big disruption would be Zak kidnapping Evie and holding her hostage whilst setting a trail for Detective Trent to follow, the thwarted attempts at a resolution would be Detective Trent attempting to find her, the resolution would come in the form of whether or not Evie lived and Detective Trent possibly being framed for her supposed murder and finally the new equilibrium would be Zak's new situation concerning his revenge and whether he achieved it or not.
Vladimir Propp - Folk Tales & Character Types
1. The villain/antagonist - Detective Trent (for his actions which made Zak end up in jail)
2. The hero/protagonist - Zak (we follow his story and want him to achieve his revenge)
3. The donor - Evie (in that she gives Zak the means to achieve his revenge)
4. The helper - there isn't really a helper in our plot, but it could be Evie due to finding our her father killed her mother
5. The princess - In the sense of him getting his revenge it would be Detective Trent, but due to his relationship with Evie then it could be her if she wasn't killed
6. The father figure -Again there isn't really a father figure, although in the rest of the film Evie could hate her father when she finds out her father killed her mother
7. The dispatcher - Detective Trent
8. The false hero - we don't really have a false hero
I also studied a fifth theory, by Syd Field. His theory is that thrillers contain a three act plot structure. So I have chosen to apply this theory as well, although it is slightly more difficult to apply as the synopsis didn't go into immense detail of the ending etc.:
Act One - Setup
- Two of three main characters identified in opening sequence: Evie and Zak
- Detective Trent would then be introduced along with the story behind the kidnapping
- The audience are given reasons to support Zak in that he was wrongly framed, yet also don't agree with him kidnapping Evie - there are split loyalties
- The problem facing the protagonist is identified: Zak is having to keep ahead of Trent, who is a detective and so has far more resources available to him
(Plot point one: Evie discovers that her father killed her mother)
Act Two - Confrontation- Zak is beginning to face more problems as he begins to fall for Evie and she has to die for his original plan to work
- Evie also wants to die to punish her father
- Detective Trent keeps following the clues, but quicker than Zak anticipated.
(Plot point two- Zak realises that he cannot kill Evie, so he begins to conduct a plan to frame Detective Trent as planned, but without killing Evie or having a body)
Act Three - Resolution
- Zak carries out his plan and frames Trent
- Trent goes down
- However Evie may or may not be dead, which has the possibility to tarnish his revenge
Retribution: Misery & Other Aspects Of Influences
I've noticed that Retribution doesn't really compare to or mirror any opening sequences that I've seen, in my opinion. Retribution definitely shares qualities with films and certain scenes throughout those films, however I do not think that we took much inspiration from any actual opening sequences.
Originally we began with an inspiration from the Misery opening sequence with the close up of the glass and alkaseltzers in the morning scene and then the smoking section mirroring Misery's opening sequence with a cigarette on the table and the champagne glass. But as this isn't directly at the beginning of the opening I feel as if we didn't really draw much from other films openings.
Also we didn't just mirror one idea or draw influence from just one film. We all had different ideas and blended a few together that worked (all of which were from different films).
I think this method of doing things was good because it doesn't mirror any particular film too closely, which could have the potential of looking as if we just directly lifted our idea from that film. I like how our film can have different influences, rather than just one, because I think it shows the variation within the group that we all had different tastes and inspirations when given our initial idea. This theme continued into our production because people would suggest things that others hadn't necessarily thought of, which kept the creative process in motion and led to a varied opening in terms of interesting shots to look at.
Originally we began with an inspiration from the Misery opening sequence with the close up of the glass and alkaseltzers in the morning scene and then the smoking section mirroring Misery's opening sequence with a cigarette on the table and the champagne glass. But as this isn't directly at the beginning of the opening I feel as if we didn't really draw much from other films openings.
Also we didn't just mirror one idea or draw influence from just one film. We all had different ideas and blended a few together that worked (all of which were from different films).
I think this method of doing things was good because it doesn't mirror any particular film too closely, which could have the potential of looking as if we just directly lifted our idea from that film. I like how our film can have different influences, rather than just one, because I think it shows the variation within the group that we all had different tastes and inspirations when given our initial idea. This theme continued into our production because people would suggest things that others hadn't necessarily thought of, which kept the creative process in motion and led to a varied opening in terms of interesting shots to look at.
Finished Opening Sequence for Retribution
Below is the finished opening sequence for our thriller - Retribution. Any feedback would be appreciated.
Overall I really like our opening sequence, however I think that it is unclear in the girls significance to the rest of the film. Only when you have read the blurb do you understand who she is and what her purpose is. Of course, if this was a real film, the sense of mystery surrounding the girl would be appealing to the audience and make them want to find out who she is, what the man's motives are and of course what actually happens to her. I think some of our shots could have been better framed, particularly the shot going from the glass on the table to the bedside table and some of the outside shots. But generally I'm proud of what we have achieved.
Overall I really like our opening sequence, however I think that it is unclear in the girls significance to the rest of the film. Only when you have read the blurb do you understand who she is and what her purpose is. Of course, if this was a real film, the sense of mystery surrounding the girl would be appealing to the audience and make them want to find out who she is, what the man's motives are and of course what actually happens to her. I think some of our shots could have been better framed, particularly the shot going from the glass on the table to the bedside table and some of the outside shots. But generally I'm proud of what we have achieved.
Fatal Attraction vs Retribution
Although our opening doesn't contain the same main theme of Fatal Attraction (stalking) I feel that the end shots of our opening do contain a lot of influences from Fatal Attraction. In Fatal Attraction there is a point when Dan's wife (Beth) is running a bath and she goes to look in the mirror to clean up her face. Then when she closes the bathroom cabinet door Alex appears. You expect her to be there, but that only adds to the suspense and enigma of the situation. With our opening the build up to the last shots contained the door being left open, the hand on the banister and the footsteps as well as her washing her face and you realise how vulnerable she is that she hasn't realised he is in the house. Then when his feet walk into the shot of the bathroom floor and her feet the audience is willing her to turn around and see him, much like in Fatal Attraction the audience sense something isn't right and are willing Beth to realise this.
There are obvious differences in that with our film it is a revenge attack, whilst in Fatal Attraction Alex is just jealous, however both attacks are in order to gain something for the attacker (Zak wants to hurt Trent and Alex wants to hurt Dan and get him for herself). The fact that in Fatal Attraction you don't see Alex come into the room works because the whole entirety of the film allows the audience to build up an understanding of Alex's character so you expect this sort of behaviour from her. However, as our sequence was just the opening we needed to build as much enigma and suspense as possible whilst introducing the situation and characters (even if some of the characters you do not visibly see fully).
Fatal Attraction also differs from ours as there is an attack as the next section of the scene, we originally planned to have Zak attacking Eva Trent, however when we filmed it we found that it looked tacky on screen and very amateur, so we decided to leave it out and have our last shot of both of the characters feet as this also kept the suspense and enigma up, whilst the attack pretty much took away the suspense and with it the intrigue of the audience. As the whole point is to make the audience want to watch more of the film, I feel by leaving out the attack sequence it helps to give the audience more questions that they want answered from the film.
I feel that because we watched Fatal Attraction as preparation for this project then it influenced us in including a bathroom sequence in the latter stages of the opening sequence.
Tuesday, 22 January 2008
Influences: The Usual Suspects
WARNING: if you haven't seen the usual suspects this post contains a spoiler.
I watched the Usual Suspects during the project and I really enjoyed the criminal/gangster aspect to the film. I liked the fact that the 'suspects' didn't know who they were working for but still did it, mainly out of fear of disobeying him. And so when I suggested that our group centered our plot around a slightly more gangster/criminal theme rather than a psychopathic killer I thought it would also be good to include a fear driven aspect to the film (which led to the inclusion of the daughter) and possibly a twist at the end of the story which The Usual Suspects pulls off amazingly (if you read the blurb of Retribution there is a hint to a twist at the end).
The end of the Usual Suspects has Keyser Soze being unveiled as Verbal Kint, which you do not expect as he was one of the suspects working for Keyser Soze throughout the story. From this idea the group thought that (had we needed a plot for the ending) then Zak Hayton (our main character) would frame Detective Trent for the murder of his daughter. Having Zak feel torn between killing Evie to get revenge on Trent and keeping her alive as he has grown to like her throws conflict into the story. The fact that then Zak would eventually kill Evie anyway then disrupts the audience's relationship towards him that he would be that hungry for revenge.
Monday, 21 January 2008
Final DVD cover for Retribution
This is the final version of our DVD cover for our opening sequence. I hope you like it. Any feedback would be much appreciated. Just leave a comment.
Blurb:
Blurb:
‘Retribution’ is one of the most exciting British thrillers of recent times. Directed by Angela Yaz it tells the tale of Zak Hayton (Joshua Dean – ‘Archie’), released from prison after being framed for the murder of the wife of Detective Trent (introducing Henry Carter). In a bid to avenge the past, Zak begins his dark and chilling venture to force his enemy to face the repercussions of his actions. As events move towards a violent climax, Evie (Stephanie Miller – ‘Starling Manor’), Trent’s daughter - a troubled young woman already touched by tragedy, becomes a pawn in their game, and Zak finds his feelings towards her are compromised when he unwittingly gets too close. We follow Zak along this journey of regret, uncertainty and ultimately redemption, climaxing in an electrifying twist which will make you re-evaluate the power of human weakness.
Tuesday, 4 December 2007
Credits - Things to Include
Below is a list of things that as a group we should include in our opening sequence in the form of titles/credits. I will also have to consider how I think we should represent/show our credits - either on a coloured screen or over the top of the sequence itself. I think for our particular sequence we should have them over the action as ours isn't overly action packed so it would be more effective in my opinion to not break up the sequence too much as it may have the effect of making the opening too long and dull.
Things to include in the credits:
Things to include in the credits:
- Film Title
- Actors
- Production Companies
- Director
- Producer
- Based on novel (if applicable)
- Screenplay adapted by (if applicable)
- Music by
- Casting by
Our Group Opening: Rush
We edited together a rough rush for our opening which is below.
I feel that it looks good, yet still isn't quite thriller enough. It doesn't have that much suspense or atmosphere so as a group we have decided to add in a few extra shots.
Firstly we've decided to add in some shots of the kidnapper's feet walking up the stairs which we plan to inter cut with the sequence of the main character getting out of bed and walking down the hallway.
Secondly we have decided on a shot of the kidnapper's feet in heavy shoes behind the girl's bare feet in the bathroom to show that he is just behind her. Hopefully this will add suspense and also show the contrast between the two, bare feet connote vulnerability whilst big heavy shoes connote something sinister.
These additions should help to create a bit more tension in the opening sequence and also make the audience connect and sympathise with the main character a bit more because she seems to very vulnerable in the situation (as she doesn't know someone else is in the house and we do) but she doesn't appear to be a vulnerable character. She comes across as capable of looking after herself if a little reckless with her drinking and into activities which a lot of people can relate to which helps to make the audience feel a connection with her.
I feel that it looks good, yet still isn't quite thriller enough. It doesn't have that much suspense or atmosphere so as a group we have decided to add in a few extra shots.
Firstly we've decided to add in some shots of the kidnapper's feet walking up the stairs which we plan to inter cut with the sequence of the main character getting out of bed and walking down the hallway.
Secondly we have decided on a shot of the kidnapper's feet in heavy shoes behind the girl's bare feet in the bathroom to show that he is just behind her. Hopefully this will add suspense and also show the contrast between the two, bare feet connote vulnerability whilst big heavy shoes connote something sinister.
These additions should help to create a bit more tension in the opening sequence and also make the audience connect and sympathise with the main character a bit more because she seems to very vulnerable in the situation (as she doesn't know someone else is in the house and we do) but she doesn't appear to be a vulnerable character. She comes across as capable of looking after herself if a little reckless with her drinking and into activities which a lot of people can relate to which helps to make the audience feel a connection with her.
Friday, 23 November 2007
My Individual Contribution to Avoiding Problems
There are probably going to be a few problems which arise in the group when we are filming.
Below are my individual contributions to avoiding these problems:
Below are my individual contributions to avoiding these problems:
- Keeping everyone focused - I think we should set targets as a group for each shoot
- Not having enough footage - Myself or taking in turns in the group to tick off or note down the shots done
- Transport - as we all live to spread out it may be hard to get to the shoot all at the same time. However Nick lives nearby to me so I will try to give him a lift if he requires it.
- In relation to the above issue we may be late for the shoot - So I will try to leave early in order to get to the shoot on time.
- I will also try where possible to remind people of the things they need to remember for a shoot or meeting.
- If there are any arguements I will also try to help the people involved resolve them for the sake of group harmony.
Friday, 16 November 2007
Location Ideas and Actors
Location
As ideas for location I thought perhaps my house because it is very secluded (in Epping Forest) and it shows isolation very well. This location would be good for an outside shot and then I thought we could use inside Rebecca's house for the inside of the house, except the two houses' layouts don't match up to it might look very disjointed. However I will take some pictures of both locations and blog them anyway.
Actors
I'm not too keen on having to rely on someone outside of the group for acting as we have a lot of work outside Media and so other people may not want to spend their free time acting in our thriller opening. However we have to get someone that will look good in the thriller so I've got to keep thinking of other people who could possibly be in it. If it did come to it, I think either myself or Angela could act in it because there aren't a lot of close up facial shots so even if someone isn't an excellent actor it may not overly effect the opening.
As ideas for location I thought perhaps my house because it is very secluded (in Epping Forest) and it shows isolation very well. This location would be good for an outside shot and then I thought we could use inside Rebecca's house for the inside of the house, except the two houses' layouts don't match up to it might look very disjointed. However I will take some pictures of both locations and blog them anyway.
Actors
I'm not too keen on having to rely on someone outside of the group for acting as we have a lot of work outside Media and so other people may not want to spend their free time acting in our thriller opening. However we have to get someone that will look good in the thriller so I've got to keep thinking of other people who could possibly be in it. If it did come to it, I think either myself or Angela could act in it because there aren't a lot of close up facial shots so even if someone isn't an excellent actor it may not overly effect the opening.
Tuesday, 13 November 2007
British Thrillers Research
There have been many very successful thrillers which are British made.
Below is a list of a few of these thrillers along with their trailers:
A Clockwork Orange
Year of Release: 1971
The Official Website is: there is no official website as the film is too old
Synopsis of film from Amazon:
The film, set in an unidentified future, overwhelms the senses with its almost comic depictions of rape and violence set to an upbeat classical and pop music score; its magnificent, colorful, futuristic set designs; and its utter determination to shock, frighten, and thoroughly entertain its audience. Kubrick based his chilling masterpiece on Anthony Burgess's culture-shaking novel about a young man, growing into adulthood, who has a bit of a problem with authority figures. When Alex and his droogs go out for a little bit of the old ultraviolence, he is caught and forced to undergo controversial treatment that will make it impossible for him to commit violent acts--but has severe side effects. Kubrick's film purposely confuses crime and punishment, cause and effect, hero and villain, irony and satire, filled with oxymoron and paradox, taking on science, politics, societal mores, education, sexual awakening, and parental responsibility all in a new language (both verbal and visual) that would change the cinema forever.
The Third Man
Year of Release: 1949
The Official Website is: there is no official website as the film is too old
Synopsis of film from IMDB:
An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has lead to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent and the accident is suspicious. And so determines to discover what really happened to Harry Lime.
Blow-Up
Year of Release: 1966
The Official Website is: there is no official website as the film is too old
Synopsis of film from Wikipedia:
The story concerns a photographer who may or may not have inadvertently preserved evidence of a murder, which may or may not involve a woman who visits the photographer in his studio. As is typical with Antonioni films, the story does not follow a conventional narrative structure.
Below is a list of a few of these thrillers along with their trailers:
A Clockwork Orange
Year of Release: 1971
The Official Website is: there is no official website as the film is too old
Synopsis of film from Amazon:
The film, set in an unidentified future, overwhelms the senses with its almost comic depictions of rape and violence set to an upbeat classical and pop music score; its magnificent, colorful, futuristic set designs; and its utter determination to shock, frighten, and thoroughly entertain its audience. Kubrick based his chilling masterpiece on Anthony Burgess's culture-shaking novel about a young man, growing into adulthood, who has a bit of a problem with authority figures. When Alex and his droogs go out for a little bit of the old ultraviolence, he is caught and forced to undergo controversial treatment that will make it impossible for him to commit violent acts--but has severe side effects. Kubrick's film purposely confuses crime and punishment, cause and effect, hero and villain, irony and satire, filled with oxymoron and paradox, taking on science, politics, societal mores, education, sexual awakening, and parental responsibility all in a new language (both verbal and visual) that would change the cinema forever.
The Third Man
Year of Release: 1949
The Official Website is: there is no official website as the film is too old
Synopsis of film from IMDB:
An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has lead to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent and the accident is suspicious. And so determines to discover what really happened to Harry Lime.
Blow-Up
Year of Release: 1966
The Official Website is: there is no official website as the film is too old
Synopsis of film from Wikipedia:
The story concerns a photographer who may or may not have inadvertently preserved evidence of a murder, which may or may not involve a woman who visits the photographer in his studio. As is typical with Antonioni films, the story does not follow a conventional narrative structure.
As a professional photographer, the main character mixes with the rich and famous in the London of the sixties. One day he chances upon two lovers in a park and takes photos of them. The woman of the couple pursues him, eventually finding his apartment and desperately trying to get the film. This leads the photographer to investigate the film, making blowups (enlargements) of the photos. This process seems to reveal a body, but the director uses the heavy film grain and black and white imagery to obscure the image. This drives the photographer to keep making blowups and try to find the truth.He does eventually find the body in the park, but this time, unfortunately and surprisingly, he is without his camera. He tries to get a friend to act as witness, but later the body is gone.
Ultimately, the film is about reality and how we perceive it or think we perceive it. This aspect is stressed by the final scene, when the photographer watches a mimed tennis match and, after a moment of amused hesitation, enters the mimes' own version of reality by picking up the invisible ball and throwing it back to the two players. A tight shot shows his continued watching of the match, and, suddenly, we even hear the ball being played back and forth. Another version of reality has been created.
Another Idea
We had a group meeting (Zen, Nick, Angela and myself) and we got brainstorming other ideas for a possible opening sequence for our thriller and since we don't have a group blog yet I thought I would blog this here. Anyway we came up with the following idea as a result of the brainstorming, although this is only a rough idea without many specifics. It also includes the section from my previously blogged idea.
The Idea
It is dark/night time and in a countryside setting (at least quite secluded). A car pulls up with its headlights on facing the camera. A girl gets out, dressed up and obviously drunk, she thanks the driver for the lift and says goodbye to her other friends in the car before staggering away down her driveway towards the front door (the door wouldn't be in view, it would preferably be at the side of the house, out of shot).
Then the car pulls away past the camera which is quite shaky and front the point of view of someone although we don't know who. This shot could also be an over the shoulder shot of someone hiding watching the previous event happen.
Next the camera moves around the corner (a fence or bush) from the point of view of the character watching the girl or as an over the shoulder shot of this character.
The next shot is closer to the girl and of her struggling to find her keys then open her front door and we see her closing the front door from the inside or at least pushing it too and it seeming to close.
At this point the original idea of the cigarette/drink shot of the girl waking up and getting out of bed and then walking towards the bathroom - although this time there wouldn't be anything to do with a party in the hallway, her clothes from the previous night would be strewn down the hallway and she would be dressed in a baggy t-shirt as a nightdress, her clothes left where she had left them as she got undressed on the way to bed the night before.
So she picks her way towards the bathroom but this time there is a shot from in front of her and as she walks closer to the camera there is a pan to the front door which is still open from the night before, she hadn't closed it properly.
So there is a shot of the door opening (although possibly her turning the handle and opening it slightly) and the next shot is from inside the bathroom of her opening the door the rest of the way (the two shots would have to match up). She again uses the camera as a mirror and goes to wash her face (an over the shoulder shot may be needed to establish that this is what she is doing). As she lifts her face up from washing her face she is grabbed from behind with someones hand over her mouth (the hand would be in a leather glove).
Basically the main character is the girl and she is watched from outside her house the previous night before being kidnapped the next day. The intruder gets in via her front door which she didn't close properly. By not obviously leaving the front door open it stops the audience from guessing what will happen next.
It would cut immediately to the title screen and that is how the sequence would end.
This is what I can remember us deciding from the meeting so if anyone else in the group has anything I've missed out on please let me know. And as with the other idea I've blogged, any comments on the idea and its continuity or anything else would be appreciated.
The Idea
It is dark/night time and in a countryside setting (at least quite secluded). A car pulls up with its headlights on facing the camera. A girl gets out, dressed up and obviously drunk, she thanks the driver for the lift and says goodbye to her other friends in the car before staggering away down her driveway towards the front door (the door wouldn't be in view, it would preferably be at the side of the house, out of shot).
Then the car pulls away past the camera which is quite shaky and front the point of view of someone although we don't know who. This shot could also be an over the shoulder shot of someone hiding watching the previous event happen.
Next the camera moves around the corner (a fence or bush) from the point of view of the character watching the girl or as an over the shoulder shot of this character.
The next shot is closer to the girl and of her struggling to find her keys then open her front door and we see her closing the front door from the inside or at least pushing it too and it seeming to close.
At this point the original idea of the cigarette/drink shot of the girl waking up and getting out of bed and then walking towards the bathroom - although this time there wouldn't be anything to do with a party in the hallway, her clothes from the previous night would be strewn down the hallway and she would be dressed in a baggy t-shirt as a nightdress, her clothes left where she had left them as she got undressed on the way to bed the night before.
So she picks her way towards the bathroom but this time there is a shot from in front of her and as she walks closer to the camera there is a pan to the front door which is still open from the night before, she hadn't closed it properly.
So there is a shot of the door opening (although possibly her turning the handle and opening it slightly) and the next shot is from inside the bathroom of her opening the door the rest of the way (the two shots would have to match up). She again uses the camera as a mirror and goes to wash her face (an over the shoulder shot may be needed to establish that this is what she is doing). As she lifts her face up from washing her face she is grabbed from behind with someones hand over her mouth (the hand would be in a leather glove).
Basically the main character is the girl and she is watched from outside her house the previous night before being kidnapped the next day. The intruder gets in via her front door which she didn't close properly. By not obviously leaving the front door open it stops the audience from guessing what will happen next.
It would cut immediately to the title screen and that is how the sequence would end.
This is what I can remember us deciding from the meeting so if anyone else in the group has anything I've missed out on please let me know. And as with the other idea I've blogged, any comments on the idea and its continuity or anything else would be appreciated.
British Independent Thrillers Research
An independent film, or 'indie' film, is usually a film produced on a low budget by a small company/movie studio. Independent films are often easy to notice by their content and they tend to contain a lot of the ideas and the vision that the writer originally had. For this reason they aren't changed to suit the box office needs - they can just be creative because normally independent film makers tend not to care so much about the revenue they receive from the film but about making it and getting the finished product how they want it to be - it is more of a passion for film making than money that drives these projects.
Below are a number of british independently made films of the thriller genre and their trailers:
This is England
The official website is: http://www.thisisenglandmovie.co.uk/
Synopsis of film from www.amazon.co.uk:
Set during the summer of 1983, THIS IS ENGLAND is the poignant story of Shaun, an unpopular kid who discovers a sense of belonging among a group of peaceful skinheads.
Having lost his father during the Falklands Conflict, Shaun sees something of a father figure in Woody, the gang's leader. However, the warmth and affection is short-lived, as Combo – a former member of the group, and radical right-wing racist is released from prison and divides the friends with his deeply disturbed outlook. Whereas Woody had strived to bring everyone together through their love of music, Combo seeks to mobilise a force, with his sights set on spreading chaos and hatred.
At only 12 years of age, and of volatile frame of mind, Shaun is susceptible to Combo's charismatic, yet gravely dangerous philosophising. As adulthood beckons and with Combo's rage manifesting into stark violence, Shaun will have to decide which side of the line he's going to stand.
The Wind That Shakes The Barley
The official website is: http://www.thewindthatshakesthebarley.co.uk/
Synopsis of film from website:
Ireland 1920: workers from field and country unite to form volunteer guerrilla armies to face the ruthless "Black and Tan" squads that are being shipped from Britain to block Ireland's bid for independence.
Driven by a deep sense of duty and a love for his country, Damien abandons his burgeoning career as a doctor and joins his brother, Teddy, in a dangerous and violent fight for freedom.
As the freedom fighters' bold tactics bring the British to breaking point, both sides finally agree to a treaty to end the bloodshed. But, despite the apparent victory, civil war erupts and families who fought side by side, find themselves pitted against one another as sworn enemies, putting their loyalties to the ultimate test.
Below are a number of british independently made films of the thriller genre and their trailers:
This is England
The official website is: http://www.thisisenglandmovie.co.uk/
Synopsis of film from www.amazon.co.uk:
Set during the summer of 1983, THIS IS ENGLAND is the poignant story of Shaun, an unpopular kid who discovers a sense of belonging among a group of peaceful skinheads.
Having lost his father during the Falklands Conflict, Shaun sees something of a father figure in Woody, the gang's leader. However, the warmth and affection is short-lived, as Combo – a former member of the group, and radical right-wing racist is released from prison and divides the friends with his deeply disturbed outlook. Whereas Woody had strived to bring everyone together through their love of music, Combo seeks to mobilise a force, with his sights set on spreading chaos and hatred.
At only 12 years of age, and of volatile frame of mind, Shaun is susceptible to Combo's charismatic, yet gravely dangerous philosophising. As adulthood beckons and with Combo's rage manifesting into stark violence, Shaun will have to decide which side of the line he's going to stand.
The Wind That Shakes The Barley
The official website is: http://www.thewindthatshakesthebarley.co.uk/
Synopsis of film from website:
Ireland 1920: workers from field and country unite to form volunteer guerrilla armies to face the ruthless "Black and Tan" squads that are being shipped from Britain to block Ireland's bid for independence.
Driven by a deep sense of duty and a love for his country, Damien abandons his burgeoning career as a doctor and joins his brother, Teddy, in a dangerous and violent fight for freedom.
As the freedom fighters' bold tactics bring the British to breaking point, both sides finally agree to a treaty to end the bloodshed. But, despite the apparent victory, civil war erupts and families who fought side by side, find themselves pitted against one another as sworn enemies, putting their loyalties to the ultimate test.
Friday, 9 November 2007
David Fincher
David Fincher is an American born director who was raised in California. He has directed music videos, adverts for television and films. He was a founding member of Propaganda Films in 1986.
In particular he has directed some extremely succesful films such as Fight Club (1999), Se7en (1995) and Panic Room (2002). David has noticable directed mainly thrillers or films that have thriller aspects to them, which suggests that he has a strong interest in that genre.
He has been quoted as saying "I don't know how much movies should entertain. To me, I'm always interested in movies that scar. The thing I love about Jaws is the fact that I've never gone swimming in the ocean again." [source: http://www.imdb.com] which is probably why the films he directs are so gripping, that aspect of wanting to draw the audience in so far that they are forever changed by seeing that film. He has also mainly directed films which are very realistic - i.e they could happen in every day life.
For example:
Panic Room - is about a woman and her daughter who have their house broken into so hide in the safest room in their house their 'panic room' but the burgulars want something that is inside that room, the most valuable thing in the house.
Se7en - is about two homocide detectives and a serial killer.
Zodiac - is about a serial killer in San Francisco.
In particular he has directed some extremely succesful films such as Fight Club (1999), Se7en (1995) and Panic Room (2002). David has noticable directed mainly thrillers or films that have thriller aspects to them, which suggests that he has a strong interest in that genre.
He has been quoted as saying "I don't know how much movies should entertain. To me, I'm always interested in movies that scar. The thing I love about Jaws is the fact that I've never gone swimming in the ocean again." [source: http://www.imdb.com] which is probably why the films he directs are so gripping, that aspect of wanting to draw the audience in so far that they are forever changed by seeing that film. He has also mainly directed films which are very realistic - i.e they could happen in every day life.
For example:
Panic Room - is about a woman and her daughter who have their house broken into so hide in the safest room in their house their 'panic room' but the burgulars want something that is inside that room, the most valuable thing in the house.
Se7en - is about two homocide detectives and a serial killer.
Zodiac - is about a serial killer in San Francisco.
Tuesday, 6 November 2007
Idea
I have been talking to Angela and she had an idea referencing the opening of the film Misery, which includes some very good close ups on objects with things happening in the background which aren't very clear. During this talk I extended her idea into the following - however some details need to be fine tuned.
Angela's Idea
The opening starts with a close up on a pack of cigarettes/a glass/bottle of alcoholic drink. The background is fuzzy but you can make out the shape of a body which reaches towards the drink/cigarettes and takes them. Then they sit up take a drink/drag on a cigarette, but you don't see their face clearly, only their lips down. Then she puts down the drink/stubs out the cigarette and swivels out of bed with her back to you.
My extension
The next shot is of her bare feet landing on the floor and the camera tracks from behind at ankle height following her to the door which she opens and the camera stops, tilting up slightly as you watch her pick her way down a hallway which is littered with the remnants of a party. These 'remnants' would be signified with empty drinks bottles/cans, some people asleep in the hallway (one or two), party streamers, a knocked over flower pot/broken table and shoes. The character is wearing a party dress.
Then we watch the character open the door at the end of the hallway halfway - this is matched when the camera cuts to inside a bathroom watching her open the door the rest of the way. She then proceeds to walk up to the camera and adjust her hair, taking off her makeup/washing her face using the mirror (which the camera is in place of). This is the first point when we see her face completely.
Then we have an over shoulder shot of a girl asleep on the floor and the character starts talking to them - laughing at how drunk the girl was the previous night - meanwhile the character continues to look in the mirror. When the girl doesn't reply she frowns and looks down at the girl who has a look of terror on her face. She crouches down to comfort her (over shoulder shot possibly?) and then she pulls back her hand as she realises it is covered in blood which has soaked through the girls clothes from a stab wound.
At the minute it is only an idea and there are a few details which need to be sorted out, but I like the outline and the possibilities for camera work within the idea.
Any feedback from people would be appreciated.
Angela's Idea
The opening starts with a close up on a pack of cigarettes/a glass/bottle of alcoholic drink. The background is fuzzy but you can make out the shape of a body which reaches towards the drink/cigarettes and takes them. Then they sit up take a drink/drag on a cigarette, but you don't see their face clearly, only their lips down. Then she puts down the drink/stubs out the cigarette and swivels out of bed with her back to you.
My extension
The next shot is of her bare feet landing on the floor and the camera tracks from behind at ankle height following her to the door which she opens and the camera stops, tilting up slightly as you watch her pick her way down a hallway which is littered with the remnants of a party. These 'remnants' would be signified with empty drinks bottles/cans, some people asleep in the hallway (one or two), party streamers, a knocked over flower pot/broken table and shoes. The character is wearing a party dress.
Then we watch the character open the door at the end of the hallway halfway - this is matched when the camera cuts to inside a bathroom watching her open the door the rest of the way. She then proceeds to walk up to the camera and adjust her hair, taking off her makeup/washing her face using the mirror (which the camera is in place of). This is the first point when we see her face completely.
Then we have an over shoulder shot of a girl asleep on the floor and the character starts talking to them - laughing at how drunk the girl was the previous night - meanwhile the character continues to look in the mirror. When the girl doesn't reply she frowns and looks down at the girl who has a look of terror on her face. She crouches down to comfort her (over shoulder shot possibly?) and then she pulls back her hand as she realises it is covered in blood which has soaked through the girls clothes from a stab wound.
At the minute it is only an idea and there are a few details which need to be sorted out, but I like the outline and the possibilities for camera work within the idea.
Any feedback from people would be appreciated.
Thursday, 1 November 2007
The Illusionist Opening Sequence
The opening doesn't really introduce the characters overly. You can see the police chief and the illusionist, but you don't get introduce to them as a character overly. This happens later in the opening because the film starts very close to the end of the plot and then goes back to the beginning.
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